Acting with Object WSL/TTL/ZAZP-L
I Semester:
Form and content of the object
Attempting to recognize the specifics of manipulation - bringing objects to life on stage
Various methods of manipulating objects - exploring the autonomous predispositions of each object.
Language of objects - learning to send clear messages to the audience.
Naming and skillful utilization of the object's atmosphere and the atmosphere of the scenic expression.
Artistic experiments using objects (e.g., storyboard, installation, performance, object puppet).
Under special conditions, it may be possible to conduct part of the program online
II Semester:
Exploring alternative conventions of object theatre.
Defining the theme as the basis for constructing scenic expression.
Analysis of the relationship between actor and object on stage.
Group discussions on the possibilities of object theatre.
Attempting to find one's own, individual understanding of object theatre.
Exploring the autonomous specificity of selected material.
Artistic and technical support for etudes prepared during classes.
Under special conditions, it may be possible to conduct part of the program online.
Course coordinators
Learning outcomes
In terms of knowledge (W):
T_W04
T_W06
T_W07
IN terms of skills (U):
T_U07, T_U08
T_U01
T_U03
T_U12
In terms of social competence (K):
T_K01
T_K06
T_K10
T_K08
T_K05
Assessment criteria
I Semester: Credit without a mark (non-graded pass)
II Semester: Credit without a mark (non-graded pass)
I Semester:
- Active participation in classes and discussions during classes.
- Diligent work on assigned tasks outside of class hours.
II Semester:
• Proficiency in naming and analyzing various conventions of object theatre.
• Artistic value of the prepared works.
• Active and creative group work.
• Total activity and progress throughout both semesters.
Bibliography
M. Chekhov „On the technique of acting”
Piotr Damulewicz „Ewolucje programu w nauczaniu gry aktora przedmiotem na Wydziale Lalkarskim w Białymstoku – geneza, przemiany, stan obecny”
J. Ch. Andersen „Fairy Tales”
Włodzimierz Pawluczuk „Żywioł i forma”
Henryk Jurkowski „Szkice z teorii teatru lalek”
Bernarda Bielenia "Upodmiotowienie przedmiotu i uprzedmiotowienie aktora – proces przemiany na podstawie inscenizacji „Miriam” Olega Juriewa