Techniques for Working with Actors in Puppet Performance WSL/TTL/TPZASL-L
In the summer semester, students will work on etudes based on dramatic texts (or possibly excerpts of prose).
The selection of material will be the task of the directing students. The participants' task will be to prepare monodramatic or duo scenes centered on the relationship (and dialogue) between actor and form. Puppetry Technology students will work together with directing students to develop a coherent visual concept for the etudes, choosing appropriate expressive means of puppet theater for the theme. In the next stage, Puppetry Technology students will be responsible for creating the animated figures and scenographic elements outlined in the visual concept.
Course coordinators
Learning outcomes
In terms of knowledge (W):
T_W01
T_W02
T_W03
T_W04
T_W06
In terms of skills (U):
T_U03
T_U04
T_U07
In terms of social comeptence (K):
T_K01
Assessment criteria
Subject to evaluation in summer term are:
• Activity during the classes
• Ability to utilize experiences from the previous semester
• Ability to communicate with students of Directing
• Final result of work on prepared puppet scenes
Bibliography
Primary reading will depend on the material chosen as the basis for the etudes.
Supplementary readings:
• Selected excerpts from texts included in the publishing series Teorie Współczesnego Teatru: Tairow, Wachtangow, Meyerhold, Brecht, Brook;
- Adamski J., Aktorska analiza postaci, [w:] Wprowadzenie do nauki o teatrze, t. 2: O tworzywie i twórcach dzieła teatralnego, wybór o oprac. J. Degler, Wrocław 1976 s. 277-300;
- Bablet D., Rewolucje sceniczne XX wieku, przekład Z. Strzelecki, K. Mazur, Warszawa 1980;
- Gorczakow M., Lekcje reżyserskie Stanisławskiego, Warszawa 1957, PIW;
- Jurkowski H., Przemiany ikonosfery, Wrocław 2009;
- Kowzan T., Znak w teatrze, w: Problemy teorii dramatu i teatru, t. 2: Teatr, wybór i oprac. J. Degler, Wrocław 2003 s. 155-179;
- Strzelecki Z., Polska plastyka Teatralna, Kierunki scenografii współczesnej, Współczesna scenografia polska;
- Świątkowska W., Ciało, przedmiot, lalka – materia prima sort, Teatr 5/2017;
- Waszkiel H., Materia/forma/wizualność, Teatr 4/2015.