Body in Motion WSL/RTL/CwR-Z
Scope of Material Used During Classes is Focused on:
Developing awareness of external and internal body stimuli
Expanding the field of consciousness and comfortably being in the "here and now"
Developing the ability to recognize and release tensions and blockages in the body
Self-analysis and articulating personal experiences arising during exercises
Consciously using the breathing process in body work
Developing conscious body control and individual movement expression
Sharpening focus on the flow of movement impulses
Understanding and surpassing personal limitations hindering physical and artistic growth
Sensitizing to movement and the art of dance
Developing an intuitive approach to creative work, self-creation, and finding original solutions in stage work
Stimulating imagination and abstract thinking
Term 2023/24-Z:
None |
Term 2024/25-Z:
None |
Course coordinators
Learning outcomes
In terms of knowledge (W):
R_W06
In terms of skills (U):
R_U04
R_U10
In terms of social competence (K):
R_K01
R_K02
R_K03
Assessment criteria
The Final Assessment Includes:
- Engagement
- Creativity
- Progress in the student's development
- Ability to work independently
- Ability to work in a group
- Final result
- Attendance (students may have a maximum of 3 unexcused absences; more absences may result in failing the course)
- Work ethics and hygiene
- Preparation and presentation of a movement etude based on tasks given during classes, to be presented to the examination committee and students from other years on the day of the exam/assessment
Note: Absence from classes does not exempt students from knowing the material, tasks, and exercises performed during the classes. Lack of knowledge of the material will be treated as unpreparedness for classes, and therefore, participation in the classes will not be possible.
Form of assessment:
I Semester - Credit without a mark (non-graded pass)
II Semester - Credit without a mark (non-graded pass)
Detailed Assessment Criteria
Excellent
Students:
Demonstrated a high level of activity and engagement during classes
Showed exceptional creativity and a creative approach during classes
Participated in training workshops to enhance their professional qualifications or completed additional tasks
Always came prepared for classes
Regularly attended classes
Were always punctual
Demonstrated excellent teamwork skills in group work
Significantly improved their skills related to body mastery and awareness
Very good
Students:
They were active and worked systematically during classes.
They demonstrated creativity and a creative approach during classes.
They showed dedication and contributed actively to improving their own skills.
Always came prepared for classes
Regularly attended classes
Were always punctual
Demonstrated excellent teamwork skills in group work
Significantly improved their skills related to body mastery and awareness
Good
Students:
They participated regularly in classes.
They were usually prepared for classes
They completed assigned tasks, but encountered minor issues with the execution technique.
They improved their skills related to body mastery and awareness, but their engagement and contribution during classes did not match their capabilities.
They adhered to work discipline.
They were mostly punctual.
They demonstrated good teamwork skills in group work.
Satisfactory
Students:
They were usually prepared for classes
They demonstrated a low level of engagement and contribution to work.
They required constant motivation from the educator, and their efforts were short-lived.
They participated irregularly in classes
They were not punctual
In group tasks, they showed average teamwork skills.
Unsatisfactory (fail)
Students rated as Unsatisfactory:
Frequently skipped classes.
Were consistently unprepared when attending classes.
Did not demonstrate a minimum level of effort during classes.
Did not prioritize mastering the material.
They did not adhere to work discipline
In group tasks, they demonstrated a lack of teamwork skills
Bibliography
- Kristin Linklater: "Freeing the natural voice. Imagery and Art in the Practice of Voice and Language", 2012
- Thomas W. Myers, "Anatomy Trains. Myofascial Meridians for Manual Therapists and Movement Professionals", 2015
- Marzena Wiśniewska, Karol Suszczyński, „Puppetry in the 21st Century: Reflections and Challenges”, AT im. A. Zelwerowicza w Warszawie Filia w Białymstoku, 2019. Source: https://atb.edu.pl/wp-content/uploads/2019/10/Puppetry_in_the_21st_Century_e-book.pdf
Term 2023/24-Z:
None |
Term 2024/25-Z:
None |